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You know we’ll have a good time then

“No wonder kids grow up crazy. A cat’s cradle is nothing but a bunch of X’s between somebody’s hands, and little kids look and look and look at all those X’s …”

“And?”

“No damn cat, and no damn cradle.”

― Kurt Vonnegut, Cat’s Cradle



Father’s Day, 2026.


The receiver remained in my hand after the line had gone silent, not because I expected it to speak again nor even because I had failed to understand that the conversation was over, but because in the dimming room, where the evening had entered so gradually through the windows that the furniture and walls appeared less to darken than to withdraw, surrendering themselves inch by inch to shadow, I found myself listening not for my son’s voice but for the faint residue of it, as though something of him might still persist within the wires stretching away beyond the fields and roads and towns toward the life he now inhabited, that life of work and obligations and children recovering from illness and all the innumerable demands by which a man explains his absences first to others and eventually to himself, and outside the window the chinaberry tree moved against the darkness though the air itself seemed still, its branches crossing the moonlight and receding again, while above the mantel the photograph watched from its frame, darkened by decades of dust and summers until the face within it had become uncertain, so that at times I thought I recognized my father there and at times only some younger version of myself, and perhaps the uncertainty itself was what held my attention, because the voice I had just heard over the telephone — warm, affectionate, sincere, promising another visit whenever circumstances permitted — seemed now to belong to neither one man nor another but to some older and more durable thing passing through us both, altering its accent and vocabulary with each generation while preserving its essential shape.


It had been a good conversation. That was what made the silence afterward so difficult to endure. Had there been anger, refusal, estrangement, some injury still capable of being named, the matter would have possessed boundaries, whereas affection carries its own peculiar sadness when joined to distance, and as I sat there with the receiver cooling gradually in my hand I found myself trying to remember a sound from many years ago, from the day he was born, though whether it had been a locomotive beyond the hospital window or rain striking the glass or merely a cart rattling down a corridor I could no longer have said. The sound itself had vanished. Only the feeling remained: the awareness, even then, standing beside the bed where his mother slept and the child lay wrapped in blankets beside her, that somewhere beyond those walls another obligation waited, another departure already assembling itself out of schedules and expectations and responsibilities, and because youth mistakes duration for abundance I had believed, as men always seem to believe when time still appears limitless, that whatever was postponed remained intact, that an afternoon deferred suffered no injury from delay, that a conversation not held today would survive untouched until tomorrow.


Looking back now I can remember neither the destination nor the purpose with any certainty. The train. I think it was a train. The meeting. There must have been a meeting. The account ledger spread beneath a lamp. The ringing telephone. All those urgent particulars dissolved years ago into the same indistinguishable haze from which forgotten dreams are made, and yet the movement itself remained, the departure, the recurring conviction that somewhere else existed a place where I was required more urgently than where I happened to be.


The house knew something about departures. It had stood there before my son was born and before I became a father and before the photograph above the mantel was taken, enduring the slow attrition of weather and seasons with a patience that seemed almost geological, its galleries settling fraction by fraction toward the earth, its plaster cracking along familiar seams, its floors acquiring that slight inclination noticeable only to those who had spent enough years within them to recognize change occurring beneath the disguise of permanence.


My father, too, had lived in this house. Whether he had ever sat in this room waiting for a letter or listening for footsteps on the porch or staring at that same chinaberry tree from that same window I cannot say. Memory grants too much confidence to scenes never witnessed. Yet I know there were absences in his life also, explanations perhaps, obligations whose urgency seemed beyond question at the time, because looking at the photograph I found myself seeing not one face but several, not simultaneously exactly but in the manner that memories overlap one another until distinctions blur, and among them appeared my son as he had been at different ages, the infant whose hand once closed around my finger with surprising strength, the boy carrying a ball beneath his arm across the yard, the young man standing in a doorway asking for car keys, all of them inhabiting the house together as though time had merely distributed them among separate rooms.


What remained most vividly from those years was seldom what I would have chosen. The reasons disappeared while the moments survived. Of that afternoon when he approached the porch carrying the ball and asked whether I would come outside, whether he wished me to teach him throwing or catching, whether the grass had already been cut or still waited for mowing, whether clouds were gathering beyond the fields or the sky remained clear, I could not have spoken with certainty; yet I remembered the way he stood there, the expectation in his face, and afterward the words themselves, not today, later, after a while, soon, words spoken so casually at the time and yet returning afterward with a persistence outlasting every justification attached to them.


Whatever task occupied me that afternoon, whatever obligation persuaded me that an hour elsewhere possessed greater value than an hour in the yard, had vanished so completely from the world that even its name was gone, while the refusal remained. And later there were other departures, accumulating across the years with such regularity that each seemed insignificant beside the next: suitcases carried to waiting cars before dawn, train platforms, airport terminals, office buildings, dormitories, driveways. The details altered. The movement endured.


I remember, more clearly than I remember our conversation, the brief metallic sound of the car keys changing hands when he returned from college, sunlight flashing across them as he reached out and I released them, and perhaps objects survive because they ask nothing of memory beyond recognition, while words require interpretation and therefore suffer revision. I may have asked him to stay awhile. I may only have intended to ask. I remember his smile. I remember: “What I’d really like, dad, is to borrow the car keys. See you later, can I have them please?”


And now another conversation had ended. The means by which distance announced itself had changed from generation to generation — from unread texts to trains missed at stations to voices travelling instantaneously through wires stretched across half a continent — yet listening to the silence filling the room I found myself wondering whether the thing conveyed by those means had altered at all, or whether each merely supplied a new instrument for an older inheritance whose origins lay beyond any one man’s recollection. The children were ill, he had said. Work had become difficult. It was good talking to me. He would come when he could. There was love in the words. I do not doubt that. There had been love also in the promises I once made and intended fully to keep.


Outside the chinaberry branches moved again across the moonlight. The room had grown almost entirely dark. The photograph above the mantel had receded until only its outline remained. And after a time the receiver slipped from my hand and swung once at the end of its cord, tapping lightly against the leg of the table before becoming still, while beyond the window the leaves continued their slow, graceful dance against the night sky.



 
 
 

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©2020 by  David Sherman - Getting Old Sucks

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